Description

The evolving ecological dimensions of photography in the American West and their ongoing impact.

Photography and the American West have long been culturally intertwined. Since the 19th century, iconic photographs of western landscapes -- think of Carleton Watkins's Yosemite views -- have been read as inherently environmentalist. Challenging this assumption, Ecologies of Photography in the American West examines the medium's role in documenting, profiting from, and transforming ecosystems across its varied geographies. This book brings together a diverse range of scholars and artists to trace photography's roots in the earth and its entanglement with resource extraction and ecological rights. Timely and expansive in scope, the volume reframes the history of the region and foregrounds photography's complicity--as well as its potential--in shaping environmental understanding. It speaks to anyone attuned to the urgent environmental conversations defining the contemporary American West

Contributing authors: Martha A. Sandweiss (Princeton University), Binh Danh (San Jose State University), Katherine Mintie (Center for Creative Photography), Alan C. Braddock (College of William & Mary), Alice Cazenave (Goldsmiths, University of London), Andrés Pardo Piccone (CuriosoLab), Will Wilson (University of Texas, Austin), Emily Cornish (The Ohio State University), Jordan Reznick (Grinnell College), Cara Romero (independent artist), Mercedes Dorame (independent artist), Emilia Mickevicius (Center for Creative Photography and Phoenix Art Museum), Yves Figueiredo (Université Paris Cité), Jennifer Tucker (Wesleyan University), Elizabeth Hutchinson (Barnard College, Columbia University), Robin E. Kelsey (Harvard University).