HINENI is not a performance.
It is a rite.
Rooted in Jewish tradition and feminist ritual practice, HINENI: I
n Sarah's Tent invites participants into a shared act of arrival-
presence without spectacle, voice without domination,
movement without coercion.
This work unfolds as a living structure rather than a script.
It is designed to be entered and re-entered by different
communities, each time held by attention, consent,
and care. HINENI asks what becomes possible
when people gather not to explain, persuade,
or perform-but to stand fully present
to one another.
Not a book to read once.
A ritual to be entered again and again.
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