Description

A practical and scholarly guide to performing Baroque music with historical insight and artistic confidence.

This is an in-depth guide to the performance of Baroque music for musicians, listeners, undergraduate and graduate music students, and conservatory and university instructors. Rigorously scholarly, yet readable by non-specialists, it is designed to serve not only as an introduction to historical performance for those new to the subject, but also as a reference book for those experienced in the field, and as a course book in early music performance practice. Part 1 covers essential topics such as historical voices and instruments, articulation, and ornamentation and improvisation. Part 2 turns to particular performance issues in selections ranging from vocal chamber music by Strozzi, Handel, Jacquet, and Bach to instrumental compositions by Castello, Corelli, Couperin, and (again) Bach.
The book draws on the author's broad experience as a performer, teacher and writer on Baroque music. It can serve as a general handbook on historical performance practice that also addresses specific questions raised by commonly performed recital and concert repertoire.

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