En raison d'une grève chez bpost, des retards de livraison peuvent survenir. Besoin de quelque chose en urgence ? Optez pour un retrait en magasin ou rendez-vous dans une Librairie Club à proximité.

Retrait en 2 heures
Assortiment impressionnant
Paiement sécurisé
Toujours un magasin près de chez vous

Retrait en 2 heures
Assortiment impressionnant
Paiement sécurisé
Toujours un magasin près de chez vous

Magasins

Wishlist

Magasins

Wishlist

Chercher

Promotions

83,45 €

+ 166 points

Format

Livraison 2 à 3 semaines

Passer une commande en un clic

Payer en toute sécurité

Livraison en Belgique: 3,99 €

Livraison en magasin gratuite

Description

This original study offers a timely reconsideration
of the work of French philosopher Jean-François Lyotard in relation to art,
performance and writing.
How can we write about art, whilst
acknowledging the transformation that inevitably accompanies
translations of both media and temporality?
That is the question that persistently dogs Lyotard's own writings on art, and
to which this book responds through reference to artists from the
recently-formed canon of performance art history, including the myths of
seminal figures Marina Abramovic
and Vito Acconci, and the controlled documentation of Gina Pane's actions.
Through the unstable, untranslatable element that Lyotard calls the figural, his thought is brought to bear
on attempts to write a history of performance art and to question the paradoxically
prescriptive demand for rules to govern 're-performance'.
Kiff Bamford contextualises Lyotard's writings and
approach with reference to both his contemporaries, including Deleuze and
Kristeva, and the contemporary art about which they wrote, whilst arguing for
the pertinence of Lyotard's provocations today.