Description

Through a comprehensive analysis of popular contemporary science fiction television series, this book underscores the genre's unique potential to both reflect and shape cultural perceptions of masculinity.

Each of its essays, written by a host of international contributors, analyse key series ranging from Firefly (2002) to Star Trek: Picard (2020-23). Employing anti-patriarchal and pro-feminist perspectives, they scrutinize the limited diversity among male characters in science fiction television, shedding light on the underrepresentation of non-heteronormative, non-white, and transmasculine characters, while also highlighting notable exceptions such as Altered Carbon (2018-20), Doom Patrol (2019), and The Umbrella Academy (2019).

Against the backdrop of current discussions regarding toxic masculinity, this book highlights the ways in which divergent masculinities shape and are shaped by the science fiction genre. In doing so, it argues the significant role played by the genre in ongoing discourse surrounding traditional and alternative forms of masculinity.