En raison d'une grève chez bpost, des retards de livraison peuvent survenir. Besoin de quelque chose en urgence ? Optez pour un retrait en magasin ou rendez-vous dans une Librairie Club à proximité.

Retrait en 2 heures
Assortiment impressionnant
Paiement sécurisé
Toujours un magasin près de chez vous

Retrait en 2 heures
Assortiment impressionnant
Paiement sécurisé
Toujours un magasin près de chez vous

Magasins

Wishlist

Magasins

Wishlist

Chercher

Promotions

129,95 €

+ 259 points

Pré-commander, disponible à partir du 17-09-2026

Passer une commande en un clic

Payer en toute sécurité

Livraison en Belgique: 3,99 €

Livraison en magasin gratuite

Description

This edited collection includes contributions across various disciplines to analyze performances of political resistance and protest to Russia's authoritarian and hegemonic practices after the collapse of the Berlin wall and specifically under Putin.

It examines how these performances operate as an immediate response to the oppressive moment but also harbour 'the possibility of difference... the possibility that the past may yet have another future' (DeFranz and Furtado).

In the context of Russia's Post-Soviet histories of rising nationalism and neo-colonialism, the volume addresses such questions as, What are the ways to consider expressions of resistance and their potential to contest or disrupt autocracy and coloniality on a historical continuum and today? How do the expressions, languages, and forms of resistance reemerge, replicate, and intersect across past decades and artistic mediums? And how do they perform marginality, reveal perspectives of the other, and gesture toward the future?

International and interdisciplinary in scope, it considers performance of protest in Ukraine, Belarus, Russia, Hungary, Poland, and the Caucasus and Central Asian regions of the former Soviet Union. The range of performances of resistance is equally broad, encompassing performing a social or religious ritual in a public sphere, public speaking, collective or individual reenactments of past traumatic events, traditional storytelling, and social media activism or journalism.