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Description
The "madder stain" imprinted on Tess d'Urberville's arm is part of a motif which runs through Hardy's fiction. Similar to Barthes's punctum shooting out of the studium, the stain is a place where the Real erupts, a blind spot that eludes interpretation. In the diegesis of the tragic novels, it is a surplus object whose intrusion disrupts reality and spells disaster. This book attempts to approach that unknowable kernel of jouissance by using Lacan's concepts of object-gaze and object-voice--sometimes revisited by Zizek.
The stain has a vocal quality: it is silence audible. In a world where sound cannot reverberate for lack of a structural void, voice is by necessity muted, stuck in the throat. Hence the peculiar quality of Tess's voice, a silent feminine cry that has retained something of the lost vocal object. The sound of silence is what Hardy's poetic prose allows us to hear.
The stain has a vocal quality: it is silence audible. In a world where sound cannot reverberate for lack of a structural void, voice is by necessity muted, stuck in the throat. Hence the peculiar quality of Tess's voice, a silent feminine cry that has retained something of the lost vocal object. The sound of silence is what Hardy's poetic prose allows us to hear.
Spécifications
Parties prenantes
- Auteur(s) :
- Editeur:
Contenu
- Nombre de pages :
- 190
- Langue:
- Anglais
- Collection :
- Tome:
- n° 21
Caractéristiques
- EAN:
- 9789004293403
- Date de parution :
- 12-06-15
- Format:
- Livre broché
- Format numérique:
- Trade paperback (VS)
- Dimensions :
- 160 mm x 241 mm
- Poids :
- 340 g
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